Skip to main content

Gibb's Reflective Cycle

I am trying to get back into reflecting on my professional practice. I had learnt about Gibb's reflective cycle in Module 1 and we discussed this again during Monday's lecture, so I thought I'd go through the cycle reflecting on something that often occurs in my practice and came up for me this week.

Description- 3 year old, new student getting upset about entering a ballet class without an adult.

Feelings- It can often feel stressful trying to cater for the needs of the new student and not exacerbate their distress but also not disturb the learning of the rest of the current students who happily enter the class independently. 

Evaluation- Good and bad. It was good to see the progress of the new student when she was taking steps to try things independantly towards the end of the class. Bad because another student then started to mirror the new students' behaviour and wanted to be with her parent, after previously being settled happily in the class for a while.

Analysis- I think this didn't go so well because the new student arrived late and the parent was not aware that parents do not attend the class. This caused disruption during the class on their arrival when I had to explain this to the parent. In my experience, young students can get upset when arriving late to a new class for the first time because it doesn't give them a chance to settle with the group before commencing. 

Conclusion- If parents are made aware of the class set-up, that students participate on their own, and are advised to come early to classes this may help new starters to settle more easily.

Action Plan- To work with the dance schools I work with to create some detailed welcome info they can provide to parents/ carers and also some clear signage to put outside the classroom to help parents/ carers with how they can best support their child to enter the class independently, ie, not entering the room, putting ballet shoes on before entering and most importantly positive encouragement.

At this point in my inquiry proposal I will now begin to reflect on the experiences I've had teaching SEND students. So I can triangulate my experiences with the primary and secondary data I will collect.

Comments

Popular posts from this blog

Syllabus vs Non-syllabus dance classes of children

One of the areas of learning that I covered in my essay was creating free enchainments (or dance sequences) through a syllabus framework. Which got me thinking about why syllabus dance classes and why we do them instead of non-syllabus dance classes. In the UK there are several dance examination bodies RAD and ISTD being the most prominent. I am qualified with ISTD to teach ballet, tap and modern.  There are lots of dance schools in the local area I live and teach in (South Wales) that are non-syllabus dance schools. Something that I didn't know was common until I moved here, having grown up in Hampshire where a very big proportion of dance schools teach ISTD and/ or RAD ballet, tap and modern. A syllabus exists to teach to a certain standard and ensure students have the skills and knowledge at that required level, to provide a benchmark.  I believe there are pros and cons to both syllabus and non -syllabus dance classes. I think the following website sums up some of these ver...

Influences

I’m catching up on Wednesday’s lecture And reflecting  on my influences. My childhood dance school was a massive influence on me; from my fellow students, my classmates and the senior students when I was 3 years old watching them in my first show, my tap and modern teacher and the other competitors in festivals we used to participate in. As with a lot of my peers on this BAPP course I also did pantomimes as a child and was in awe of the professional dancers. So when I was one of those professionals dancers after graduating from dance colleges that felt great. Also, West Side Story, Grease and Dirty Dancing 2: Havana Nights were both a summer holiday staple that my family had to endure every day for 6 weeks at a time. Luckily not both in the same holidays. As far as moments that I can think of along my career were other dancers I found inspiring on one of my cruise contracts. A few of them were just so energetic and still gave a knock out performance 6 months into a contract and rea...

Welcome to my first blog!

Hello and welcome to my blog! A little bit about me... I am Carys Dickens a Dance Educator based in South Wales.  I trained professionally in dance at Tiffany Theatre College graduating in 2012 and following that performed on Costa Cruise Lines and Tallink/ Silja Lines. I am an ISTD DDE qualified Imperial Classical Ballet, Modern Theatre & Tap Dance teacher and currently teach syllabus and non syllabus dance classes in South Wales & West to all ages from 6 months- 60!  I am now embarking on the BA Professional Practice at Middlesex University in order to reflect on my own practice and expand my own learning. I am a firm believer in continual learning and I think it's an imperative part of being a teacher, so we can be the best teachers we can be for our students. I have just finished catching up on our welcome week zoom calls and I am now very excited to get going with Module One!